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Padman 2018 Movie Torrent Download free BluRay 720p HD, Free Full Movie Padman Download, Padman Torrent Download Free From Filmy Torrents Padman 2018 Movie Torrent Download. The camerawork is awesome. She is the hero along with Lakshmikant. Minutes into the film, we are told that not only Lakshmi loves his wife; he is also sensitive towards women and their problems.

Arunachalam is given perfect tribute also in the starting credits as well as in the end which is a good part. There is no boring moment in the film which makes us feel that when is it ending. Flaws in the film, I found 2 flaws.

Padman 2018 - Even the songs by Amit Trivedi is disappointing as none of it has chartburster touch coming as a surprise from such a talented musician. Padman is a refreshing journey of Arunachalam Muruganantham which should be lauded for its boldness and message for a cause.

First and foremost a big round of applause to every single entity Actors ,producers,director,writer,cameraman who are associated with this real life inspired piece of lifetime reality. Being a woman it was more easier to connect to each and every action of the protagonist such as testing the pad on his own by pumping animal blood was the most touching scene which made me cry while watching. It gives me goosebumps while I think about the real hero Mr Lakshmikant. A jumbo hats off to him from the core of my heart and mind. Rest all have also played their part very responsibly and successfully. This piece inspires to dream about every small and untouched but inevitable needs of life associated with human being Irrespective of caste creed and gender. I will not go very far to proof this as I always wanted to write a review on movies and this is the movie which forced me to write the review right after coming back from theatre. Though this story makes more sense to developing and underdeveloped countries like India where chums is still a taboo to talk about still the movie deserves a nomination for Oscar in regional film category in the year of 2018. This film is made on very serious topic but yet having entertaining elements in place. I was surprised that it never bores you, and makes you feel proud of for passion of the guy who transformed a love into cause for society. Hope we get more and more such films. And whole india watch it not today than in time of decade time-frame.... This film is made on very serious topic but yet having entertaining elements in place. I was surprised that it never bores you, and makes you feel proud of for passion of the guy who transformed a love into cause for society. Hope we get more and more such films. And whole india watch it not today than in time of decade time-frame.... PADMAN, the movie full of motivation, is about India's one of the real Superhero. Necessity is the mother of innovation is said somewhere, here it is implemented. Padman is a movie which has romance, comedy, serious as well as heart touching moments distributed equally. This is a brave topic to come up with so hats off to Twinkle Khanna, R Balki and the entire team. Special hats off to Mr. Arunachalam Murugnatham for his extraordinary contribution to the society. The film has many moments which make us laugh naturally and its not forced humor. Chemistry between Akshay Kumar and Radhika Apte is also good. The problem of unhygienic sanitation habit is shown in a bold way and its seriousness can be felt while watching the film. The film has some emotional moments when Padman fails as well as when Padman comes to know that his first Pad which was tested was successful. Best part of the movie includes the scene before interval which reminds of Toilet Ek Prem Katha scene. Arunachalam is given perfect tribute also in the starting credits as well as in the end which is a good part. The machine making is shown which is a very good part. BGM is very nice. Music of the film is fairly well and justified. Flaws in the film, I found 2 flaws. This film is spanned over some 8-10 years they could have shown some age difference in the looks of the characters it felt as if everything is happening in the span of 1-2 years only. Talking about the performances, Akshay Kumar as Lakshmikant Chauhan is fantabulous, one of the best performance of his career. Its another feather to his collection and it should not be a surprise if this act is considered for a national award. He has nailed it in every scene may it be demonstration of his machine or monologue in the end or testing pad on himself or making of the machine. Radhika Apte, has given amazing performance, she is having some amazing emotional scenes and she has performed beautifully. She perfectly suits in a village woman role with a narrow minded thinking. Sonam Kapoor as Pari has her moments in the film. She is the hero along with Lakshmikant. She has some amazing dialogues in her account. Other performances of Lakshmi's mother and sisters as well as 2 friends and Pari's father are also remarkable. And then there is the one and only Amitabh Bachchan, R Balki's favourite in the special appearance. Its just 2-3 minutes role but he stole the show in his own style. Amazing dialogues by him in just those 2-3 minutes. There are some clap worthy and whistle-able scenes too. R Balki's direction is classic. This is his personal best along with Paa. The camerawork is awesome. Locations in the film are not much important according to film but still Maheshwar is beautiful and it captures true village environment. Editing could have been a bit better but its good there is no unnecessary nuisance in the film. Overall the film is enjoyable, entertaining yet giving a very strong message and motivation. There is no logical error in the film as a normal audience and there is no scene which makes family audience feel awkward. There is no boring moment in the film which makes us feel that when is it ending. Its a motivating film after Dangal. Please don't miss it as we don't have many good movies coming every year. Wait till u c the the plight of the widows in Vrindavan, Benares. The horrifying issues of female infanticide n foeticide r more prevalent in this beautiful n diverse country full of bhakts. Even more horrifying is the plight of the poor dalits. The issue of human scavengers still exist in this beautiful country. Keep on reporting, morons. Remember it was the Britishers who abolished sati n gav education. A beautiful movie with a strong message. Akshay Kumar hits a bullseye again and shines as a winner with his wonderful and effortless acting. He is lovable and takes the movie to the next level. The story as we all know is very inspiring but the execution is what makes it believable and entertaining. R Balki has done a good job and the movie does not bore you even a bit. Radhika Aapte as always delivers a strong performance. Sonam Kapoor is fine and has performed better than all her previous movies. Highly recommend everyone to watch this movie. Even before I start analysing 'PadMan' as a movie, I assume films like these have to be lauded simply because they're being made. That actors and filmmakers are using cinema as a tool to strike conversations, tickle thoughts and lift debates, itself is a alleviation; especially in a country of over one hundred crores with numerous problems, most of them neither spoken nor understood. PadMan' is purely a sworn statement of a man's adventure from not anything to contentment; totally banking upon on his very own desires of bringing about fantastic modifications and supporting them sustain. Decently shot by p. Sreeram and rightly complemented with soundtracks composed by Amit Trivedi, it features great performances from each Radhika Apte and Akshay Kumar; and not to forget about, a fluent Sonam Kapoor in a brief yet pivotal role. Watch 'PadMan' to encourage greater movies that communicate about actual troubles; more real than fairytale love stories. Even the real love stories are examined with terrible times, remember? Like that of Lakshmikant and Gayatri. I just want to say.... Like my country there are many developing counties... We spend whole life for KAP Knowledge, attitude and practise which they just did in A MAGICAL WAY...... Just love this movie. Highly entertaining Movie with super acting... The way he speaks english, its really so cute to watch that.... India is a huge country with diverse culture, religion and faith with its own issue and circumstances. But does all the belief and faith hold the right message? Balki, who gave us some critically acclaimed films like Cheeni Kum and Paa, Padman is a bold step to explore the subject of menstruation and sanitary pads which is considered taboo in India. The film starts of very well with few scenes bringing smile on your face - Lakshmi Prasad buying the pads for his wife first time from a local medical shop, Lakshmi saving the life of his fellow-worker at the factory and even when he is trying to build the pads by using the cotton and leaves. The passion and determination of Lakshmi to know how the pad works and trying to make his wife and sisters use it will keep you glued to the screen. While the first half boast of some great scenes, the second half is a roller-coaster ride which stumbles down but picks up later in the climax. There are various reasons - the romance between Sonam Kapoor and Akshay Kumar is half-baked and out of place, the weird of Sonam Kapoor is itself does not make much impact, the lengthy pace and few unwanted scenes. Even the songs by Amit Trivedi is disappointing as none of it has chartburster touch coming as a surprise from such a talented musician. Despite these hiccups, the impact of movie overall is a good as it helps to understand the pain what women goes through during those five days of period, especially a learning lesson for men. Though, it is okay to talk about it in Urban India, the subject is extremely sensitive in the rural India even though we are living in 21st Century. The screenplay is decent while editing is good, though trimming of few scenes and songs could have helped. Art direction is splendid while Cinematography is outstanding capturing the beautiful locations in Madhya Pradesh. Padman belongs to one and the only Akshay Kumar. The actor is just challenging himself to do good films on social cause and entertaining us with his superb performance. Though, he went overboard during one of the scene when he introduces his invention at the National Innovation Foundation conference, he will win your heart with a staggering speech at the United Nation ceremony, New York. Radhika Apte gives adequate support to her role. Sonam Kapoor, as usual, over-acted and does not justice to her character at all. I wish, the makers could have taken someone better. Padman is a refreshing journey of Arunachalam Muruganantham which should be lauded for its boldness and message for a cause. India is a huge country with diverse culture, religion and faith with its own issue and circumstances. But does all the belief and faith hold the right message? Balki, who gave us some critically acclaimed films like Cheeni Kum and Paa, Padman is a bold step to explore the subject of menstruation and sanitary pads which is considered taboo in India. The film starts of very well with few scenes bringing smile on your face - Lakshmi Prasad buying the pads for his wife first time from a local medical shop, Lakshmi saving the life of his fellow-worker at the factory and even when he is trying to build the pads by using the cotton and leaves. The passion and determination of Lakshmi to know how the pad works and trying to make his wife and sisters use it will keep you glued to the screen. While the first half boast of some great scenes, the second half is a roller-coaster ride which stumbles down but picks up later in the climax. There are various reasons - the romance between Sonam Kapoor and Akshay Kumar is half-baked and out of place, the weird of Sonam Kapoor is itself does not make much impact, the lengthy pace and few unwanted scenes. Even the songs by Amit Trivedi is disappointing as none of it has chartburster touch coming as a surprise from such a talented musician. Despite these hiccups, the impact of movie overall is a good as it helps to understand the pain what women goes through during those five days of period, especially a learning lesson for men. Though, it is okay to talk about it in Urban India, the subject is extremely sensitive in the rural India even though we are living in 21st Century. The screenplay is decent while editing is good, though trimming of few scenes and songs could have helped. Art direction is splendid while Cinematography is outstanding capturing the beautiful locations in Madhya Pradesh. Padman belongs to one and the only Akshay Kumar. The actor is just challenging himself to do good films on social cause and entertaining us with his superb performance. Though, he went overboard during one of the scene when he introduces his invention at the National Innovation Foundation conference, he will win your heart with a staggering speech at the United Nation ceremony, New York. Radhika Apte gives adequate support to her role. Sonam Kapoor, as usual, over-acted and does not justice to her character at all. I wish, the makers could have taken someone better. Padman is a refreshing journey of Arunachalam Muruganantham which should be lauded for its boldness and message for a cause. Padman aspires to break this stigma associated with the subject of menstrual hygiene. From a delivery point of view, it is roaring succes. Akshay Kumar plays Lakshmi, a simple, uneducated man living with his mother, two sisters, and newly-wedded wife, Gayatri. A bit of an oddball in his thought processes, he makes it his life goal to produce low-cost sanitary napkins when he learns about the hard-up conditions that Gayatri and the women around him including his sisters, who have recently hit puberty live in, when it comes to menstruation. The religious aspect of the issue - where menstruating women are supposed to isolate themselves and live outside the house during the cycle mostly in rural India because they are considered impure - also bothers him, which is why Padman looks like it has been written with a complete contemplation of the issue. And, for a person, who has been exposed to high-octane, mindless Bollywood potboilers, this can come as a surprise. Padman, therefore, is a critique of our times when a technically developed country like India that aspires to be digital-ready struggles with something as crucial and necessary as menstrual sanitation. Lakshmi's attempts to educate the people around him and fight the stigma that is stuck like the plague is much more important than to invent a low-cost napkin that is both efficient and cheap. Despite being a little bit successful in the latter department, Lakshmi continuously struggles to remove the preconceptions about menstruation that people have and which they are not ready to talk about. This hesitance to converse about an issue that is tied to a woman's innate health is alarming, and Padman tries to preach about that. Of course, it's a preach, but a social film cannot do without it if it intends to send the point across. Considering that director R Balki is targeting rural India with this film, I am personally content and confident that it will tick. It is because of not just the construction of the sanitary pad but also the construction of the screenplay that this works. Padman excels in all departments, also giving intermediate knowledge about napkins if people don't know about it already. A well-written plot that reminds us of Shree Narayan Singh's 2017 hit drama on a similar social issue, 'Toilet - Ek Prem Katha', also starring Kumar, it moves ahead without hitting a bump. Of course, there are sequences that are sometimes cringe-worthy and sometimes impossible, but director Balki has evidently taken a lot of cinematic liberty, which is mandatory for a film that captures the entire essence of a social predicament such as this. The fact that Padman is based on the real-life story of the Indian inventor, Arunachalam Muruganantham, would make the viewer more confident and supportive of the structure. It's well-written, has good amounts of humour and drama, if not melodrama, and hits the right notes with its messages. With a score that supports the inspirational message, Padman must be viewed on the big screen and be marketed through word of mouth as it demands greater viewership. Akshay Kumar is phenomenal and looks like he came directly out of the aforementioned film's sets. He carries the whole film on his shoulders and never once shows an inkling of restfulness. If there is a character that I feel an actor has done complete justice to in any film in the past few months, it'd be that of Lakshmi. Equally enchanting is the supremely talented Radhika Apte's performance who seems to be made just for the role of the village wife, something that we previously saw her do in Kabali 2016 , and Parched 2015 and Manjhi: The Mountain Man 2015 before that. There's not a single dull moment in Padman, thanks to the performances of the lad and the supporting cast. Sonam Kapoor and Amitabh Bachchan grace the screen for some time and do a decent job, but it is the supporting actors that make the whole broth tastier. Similar to how we last saw in R S Prasanna's Shubh Mangal Savdhan 2017 , another highlight of Padman is in its dialogues and general writing. Director-writer Balki and co-writer Swanand Kirkire need to be appreciated for the sensitivity that is visible throughout the film, which could have been turned into a vulgar mess had it been executed by some of the more energetic yesteryear Bollywood filmmakers. Padman excels for a lot of reasons, but tailoring it for a conservative audience is one of the major ones. Padman is refreshing because it serves several things on a single plate and yet manages to not overload it. Lakshmi's relentless attitude towards innovation makes this film much more than something about a social cause. Although India is known as the innovators' world, we hardly see such immaculate representation of the same on the silver screen. I don't care much more for the promotional angle of this film, courtesy the current ruling government in India, but as something that is important to mankind, Padman does deserve applause for its pure concoction and filmmaking brilliance. There couldn't be a better time to release this film that even has shades of chivalry which, spare me the rolling eye, is no longer dead , feminism, and women empowerment. Lakshmi's dream must have taken him to a lot of places, but his underlying thought to not commercialize his invention and instead work for the greater good is something that makes Padman much more effective and deserving of attention. There's a good chance that if one can relate to the subject, tears are going to make a guest appearance at least once in the 140-minute running time. But, even if that does not happen, it will touch your heart through its warm characterization, entrepreneurship, and the sheer ability to pump your beat up. Padman is perhaps R Balki's best film so far, something that I would even go as far as to list in Kumar's filmography as well. There's a montage sometime in the first hour where the central character approaches women from different walks of life but finds it difficult to convince even one of them to try out his indigenous product. Padman aspires to break this stigma associated with the subject of menstrual hygiene. From a delivery point of view, it is roaring succes. Akshay Kumar plays Lakshmi, a simple, uneducated man living with his mother, two sisters, and newly-wedded wife, Gayatri. A bit of an oddball in his thought processes, he makes it his life goal to produce low-cost sanitary napkins when he learns about the hard-up conditions that Gayatri and the women around him including his sisters, who have recently hit puberty live in, when it comes to menstruation. The religious aspect of the issue - where menstruating women are supposed to isolate themselves and live outside the house during the cycle mostly in rural India because they are considered impure - also bothers him, which is why Padman looks like it has been written with a complete contemplation of the issue. And, for a person, who has been exposed to high-octane, mindless Bollywood potboilers, this can come as a surprise. Padman, therefore, is a critique of our times when a technically developed country like India that aspires to be digital-ready struggles with something as crucial and necessary as menstrual sanitation. Lakshmi's attempts to educate the people around him and fight the stigma that is stuck like the plague is much more important than to invent a low-cost napkin that is both efficient and cheap. Despite being a little bit successful in the latter department, Lakshmi continuously struggles to remove the preconceptions about menstruation that people have and which they are not ready to talk about. This hesitance to converse about an issue that is tied to a woman's innate health is alarming, and Padman tries to preach about that. Of course, it's a preach, but a social film cannot do without it if it intends to send the point across. Considering that director R Balki is targeting rural India with this film, I am personally content and confident that it will tick. It is because of not just the construction of the sanitary pad but also the construction of the screenplay that this works. Padman excels in all departments, also giving intermediate knowledge about napkins if people don't know about it already. A well-written plot that reminds us of Shree Narayan Singh's 2017 hit drama on a similar social issue, 'Toilet - Ek Prem Katha', also starring Kumar, it moves ahead without hitting a bump. Of course, there are sequences that are sometimes cringe-worthy and sometimes impossible, but director Balki has evidently taken a lot of cinematic liberty, which is mandatory for a film that captures the entire essence of a social predicament such as this. The fact that Padman is based on the real-life story of the Indian inventor, Arunachalam Muruganantham, would make the viewer more confident and supportive of the structure. It's well-written, has good amounts of humour and drama, if not melodrama, and hits the right notes with its messages. With a score that supports the inspirational message, Padman must be viewed on the big screen and be marketed through word of mouth as it demands greater viewership. Akshay Kumar is phenomenal and looks like he came directly out of the aforementioned film's sets. He carries the whole film on his shoulders and never once shows an inkling of restfulness. If there is a character that I feel an actor has done complete justice to in any film in the past few months, it'd be that of Lakshmi. Equally enchanting is the supremely talented Radhika Apte's performance who seems to be made just for the role of the village wife, something that we previously saw her do in Kabali 2016 , and Parched 2015 and Manjhi: The Mountain Man 2015 before that. There's not a single dull moment in Padman, thanks to the performances of the lad and the supporting cast. Sonam Kapoor and Amitabh Bachchan grace the screen for some time and do a decent job, but it is the supporting actors that make the whole broth tastier. Similar to how we last saw in R S Prasanna's Shubh Mangal Savdhan 2017 , another highlight of Padman is in its dialogues and general writing. Director-writer Balki and co-writer Swanand Kirkire need to be appreciated for the sensitivity that is visible throughout the film, which could have been turned into a vulgar mess had it been executed by some of the more energetic yesteryear Bollywood filmmakers. Padman excels for a lot of reasons, but tailoring it for a conservative audience is one of the major ones. Padman is refreshing because it serves several things on a single plate and yet manages to not overload it. Lakshmi's relentless attitude towards innovation makes this film much more than something about a social cause. Although India is known as the innovators' world, we hardly see such immaculate representation of the same on the silver screen. I don't care much more for the promotional angle of this film, courtesy the current ruling government in India, but as something that is important to mankind, Padman does deserve applause for its pure concoction and filmmaking brilliance. There couldn't be a better time to release this film that even has shades of chivalry which, spare me the rolling eye, is no longer dead , feminism, and women empowerment. Lakshmi's dream must have taken him to a lot of places, but his underlying thought to not commercialize his invention and instead work for the greater good is something that makes Padman much more effective and deserving of attention. There's a good chance that if one can relate to the subject, tears are going to make a guest appearance at least once in the 140-minute running time. But, even if that does not happen, it will touch your heart through its warm characterization, entrepreneurship, and the sheer ability to pump your beat up. Padman is perhaps R Balki's best film so far, something that I would even go as far as to list in Kumar's filmography as well. I applaud director Mr. Balki for exploring and making aware the people about this huss huss talked subject, which is still a taboo in most peoples mind, ironically it should have been treated as a blessing. Shockingly, this snaitary pad issue has been much less talked than diapers. I am unable to understand that, this film is based on a real person Arunachal Muruganatham, based in Coimbtore then what was need to shift it in Madhay Pradesh, perhaps for subsidy! But it indirectly subsides the contribution of the genius and caring man behind this innovation. Film clearly lack it entertainment quotient which makes it slow. Most of time just information has been passed but in few scenes it has its hidden cute moments like when protagonist is looking for prospect to trail and attempts to convince different religion girls for it. First turning point comes with over drama when male lead tries it on himself but fails then he jumps into river which leads a social boycott. Similarly, when he designed its proper version then suddenly girls come to him asking for medical shop sounds too surreal. Pre climax speech is too preachy. After all this film should have been watched, talked to help in accepting the pad issue as essential part of life. Performance wise Akshay Kumar is first rate. Radhika Apte is pitch perfect as his wife. Sonam Kapoor is very cute and balanced. For not a second this film will let you move. This film is one of its kind. Repeat value: Infinite PADMAN emerges victorious right from the moment it starts. It's one of the many films which are totally perfect in each and every aspect. Akshay Kumar deserves truck loads of awards for his groundbreaking act, and with this film he has proven he's one of the best actors we've got in our nation. So go, watch, enjoy and celebrate the arrival of a new superhero because he's the most innovative one we have got. And at last, a grand salute to the real PADMAN, Mr. I admit that the concept is innovative... This movie should have been released in Doordarshan first, because rural people must see this movie first... Positives: - 1 Akshay Kumar's natural acting 2 Beautiful songs like Aaj Se Teri 3 Occasional humour and satires Negatives: - 1 First half of the movie 2 Unnecessary love plot Padman is definitely not a superhero, but he'll make you laugh at times and compel you to be more conscious about a woman's health and hygiene... MY RATING: - Direction: 3.

Though, it is okay to talk about it in Urban India, the subject is extremely sensitive in the rural India even though we are living in 21st Century. There couldn't be a better time to release this film that even has shades of chivalry which, spare me the rolling eye, is padman 720p torrent longer deadfeminism, and women empowerment. This film is made on very serious topic but yet having entertaining elements in place. Remember it was the Britishers who abolished sati n gav education. She is the hero along with Lakshmikant. Most of time just padman 720p torrent has been passed but in few scenes it has its hidden cute moments like when protagonist is looking for prospect to trail and attempts to convince different religion girls for it. I don't care much more for the promotional angle of this film, courtesy the current ruling government in India, but as something that is important to mankind, Padman does deserve applause for its pure concoction and filmmaking brilliance. Sonam Kapoor and Amitabh Bachchan grace the screen for some time and do a decent job, but it is the supporting actors that make the whole broth tastier. He would roam around the whole day with the bladder, the aim was to check the absorption rate of the sanitary napkins made by him. Similar to how we last saw in R S Prasanna's Shubh Mangal Savdhan 2017another highlight of Padman is in its dialogues and general writing. With a score that supports the inspirational message, Padman must be viewed on the big screen and be marketed through word of mouth as it demands greater viewership. Repeat value: Infinite PADMAN emerges victorious right from the moment it starts.